“This is a true story,” announces the onscreen text. We see a snow-swept road and the headlights of a distant car. As it approaches, once-mournful strings rise to a crashing crescendo, punctuated by… sleigh bells.
I refer, of course, to Fargo. But not to Fargo, the 1996 Coen brothers film. No, I refer to Fargo, the new FX series making its debut tonight. The familiar elements are all there: the sad-sack salesman and female cop and murderous drifter; the car crash and ill-fated traffic stop and grisly murders; the semi-arctic setting and “Minnesota nice” accents offering up yahs and you betchas and fer Pete’s sakeses. But they’re scrambled into unexpected sequences and patterns. This is not a remake. It’s a remix.
The idea of making Fargo into a TV show has been around almost since the movie itself hit theaters, and it’s always seemed to me a terrible one given the idiosyncratic nature of the source material. In 1997 a pilot was even shot, though never picked up, featuring a pre-Sopranos Edie Falco in the role of Marge Gunderson, the iconic police chief played by Frances McDormand in the film. But the FX show takes a different approach from such would-be sequels, bringing back not the original characters but instead merely their types. And the result is, to my considerable surprise, very, very good.
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